Press

2017
Enholm, Molly, “2016 Top Ten Lists, LOS ANGELES", art ltd.

2016
COLA Exhibition Catalogue
Enholm, Molly, "Keiko Fukazawa: 'Made in China: New Ceramic Works' at Craft and Folk Art Museum", art ltd.
"Keiko Fukazawa’s ‘Culture Clash’ at El Camino College", The RAFU SHIMPO
Knight, Christopher, “Keiko Fukazawa’s 'Made in China' show employs ceramics to make the personal political”, Los Angeles Times
Goldman, Edward, Art Talk, “Chairman Mao and His Hundred Porcelain Flowers”, KCRW and Huffington Post
Barrera, Sandra, "Chinese Ceramics, Enamel Art Bloom”, Los Angeles Daily News
Gelt, Jessica, “Worldly influences – Ceramic Art”, Los Angeles Times
Cheng, Scarlet, “KEIKO FUKAZAWA: The Art of Remaking”, Made in China: New Ceramic Works by Keiko Fukazawa, Craft & Folk Art Museum, Los Angeles, CA
Christy Johnson, “Crossroads in Clay at Chouinard and Otis”, Ralph Bacerra: Exquisite Beauty, Jo Lauria, 71-84. Los Angeles: Ben Maltz Gallery, Otis College of Art and Design

2015
Tuner, Richard, “Petraphilia: The Love of Stones”, Exhibition Catalogue

2011
Susan and Jan Peterson, “Craft and Art of Clay 5th Ed”, Laurence King Publishing Ltd, UK

2008
Levin, Elaine, “Fusing Cultural Tradition”, Ceramic Review, Issue 230

2006
Ostermann, Matthias, “The Ceramic Narrative”, A&C Black Publisher Ltd., London, England

2004
Davidal, Audrey, “Mold Breaker”, Angeleno Magazine

2003
Mathieu, Paul, “Sex Pots / Eroticism in Ceramics”, Rutgers University Press, New Brunswick, NJ

2002
Beyette, Beverly, “Where Others See Blight, Artists Find Beauty”, Los Angeles Times
Kiderra, Inga, “Graffiti Goes to the Gallery”, USC Chronicle

2001
Del Vecchio, Mark, “Postmodern Ceramics" ,Thames & Hudson, New York, NY

2000
Peterson, Susan, “Contemporary Ceramics”, Wason-Guptill Publications
Lauria, Jo, “Color and Fire-Defining Moments in Studio Ceramics, 1950-2000”, Rizzoli, I.P.I.

1996
Frank, Peter, “ART PICKS OF THE WEEK” L.A. WEEKLY

1988
Suvan Geer,“CALENDAR/Wilshire Center”, Los Angeles Times

1987
Kristine McKenna, "CALENDER/Wilshire Center", Los Angeles Times